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C Melody Saxophone

June 28, 2016 by Richard Craig

Over the years I’ve seen dilapidated old C Melody saxes in pawn shops and wondered what they were like to play. They’re invariably cheap and in need of a complete overhaul to get them playing. So I was delighted when a customer brought one in for me to look at the other day. He’d bought it on eBay and was a bit crestfallen to discover it needed a major overhaul, but agreed to let me loose on it.

The C Melody is a small tenor sax and was popular for a short period around 1915-1925. Although Adolph Sax intended the C Melody and C Soprano saxes for orchestral use, they were primarily made for the home entertainment market in the US. Yes – home entertainment in a time before electronics when people actually gathered round the piano and played and sang. C instruments could play straight from the sheet music – no transposing! The Wall Street Crash and ensuing depression made it uneconomic to continue making C Melody saxes, and by the time the economy recovered around 1935, the Big Band Era had arrived and everyone wanted to play the alto or tenor, so the C Melody pretty much died out.

The sax I was working on is a Buescher “stencil”, which means it was made by Buescher for a music retailer and stamped with their own “stencil” – Oliver Bitson Company. It’s a very early design with metal touches instead of pearl. Hard to date exactly because the stencil serial numbers differed from the main manufacturer’s numbers, but I reckon around 1920. There were a couple of dents to iron out and the tone holes were quite uneven and needed to be levelled, but after that, the pads went in quite nicely and I’m very pleased with the way the instrument plays.

These saxes have a small bore compared to their length, which gives them a very mellow sound compared to modern saxes, especially with an appropriate vintage mouthpiece. The intonation isn’t perfect but with a little practice it’s possible to play in tune. The ergonomics are awkward compared to modern saxes but really not too bad and the instrument was a joy to play. I didn’t want to give it back to the customer…

Big thanks to my good friend Brett Gustafson from Gustafson Custom Horns in Adelaide for helping out with the dent work and providing a genuine vintage C Melody mouthpiece to test the instrument.

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Filed Under: Blog, Repairs, Saxophone, Uncategorized Tagged With: C Melody Saxophone, Playtest, repairs, Saxophone

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Richard’s woodwind repair work continues to be outstanding. Once again he has resurrected my old and tired Cor Anglais to a point where it feels almost new again. Precision re-corking, adjustments, thorough cleaning etc etc, it’s real quality work. Thank you.
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“Richard’s experience and knowledge is evident in his extremely high quality work that he has done over the past year on my instruments. As a professional musician, having someone as outstanding as Richard to look after your instrument repairs is invaluable.”
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Peter Duggan

Richard’s woodwind repair work continues to be outstanding. Once again he has resurrected my old and tired Cor Anglais to a point where it feels almost new again. Precision re-corking, adjustments, thorough cleaning etc etc, it’s real quality work. Thank you. Peter Duggan

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Matthew Angus

“Full overhaul of old Puchner Bassoon, including a rotten boot joint and complete pad replacement. Excellent work, on time and with solid communication – very happy, thanks Richard!” Matthew Angus

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Robert Howe

“Thank you again for a most easy purchase of a couple of dynamite instruments… What wonderful instruments. And what wonderful maintenance they have received. They play wonderfully and they play like new. The English horn is better than either of my present horns, and this even with the low Bb extension. Thank you for making this […]

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Tracy Day

“The oboe arrived safely today, and it is absolutely wonderful. I so appreciate everything that you both did to make the purchase such a pleasant experience. Your many answers to my many questions… were of enormous help in my decision making process. Now that I have seen and played the oboe, I can attest that […]

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Robert Howe

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Peter Davies

“Richard has always provided a fast, efficient, reliable and thoroughly competent repair service for all my clarinets.” Peter DaviesSub-Principal ClarinetBBC Symphony Orchestra

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“I’ve always found Richard’s work to be meticulous, thorough and fairly priced. You are aware from your first dealings with him that your instrument is in the hands of a phenomenally experienced repairer who will listen to your requirements and then act on them. His advice to me in the past has been invaluable.” Maxwell […]

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David Rowden

“Richard’s experience and knowledge is evident in his extremely high quality work that he has done over the past year on my instruments. As a professional musician, having someone as outstanding as Richard to look after your instrument repairs is invaluable.” David RowdenClarinet and Artistic DirectorSydney Omega Ensemble

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David Cowley

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Edward Kay

“…having a repairer who is reliable, conscientious, and above all, understanding, is an absolute requirement and I can recommend Richard’s work without hesitation. Richard has always insisted on my fully testing the instrument on collection to ensure any problems that may still exist are then resolved to my complete satisfaction, and this is a very […]

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Roger Brooke

“From personal experience, I can say that Richard’s work on bassoons is of a very high standard indeed. He is, in addition, a mine (goldmine..?) of friendly and useful advice on all aspects of woodwind instrument construction and maintenance.“ Roger BrookeAssociate Principal BassoonSydney Symphony

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Shefali Pryor

“I could not be happier with the work Richard has done on my oboe. He was enormously helpful and took the time to work with me to find the best solutions possible. His work is of a high quality that I know I can rely on to last” Shefali PryorAssociate Principal OboeSydney Symphony

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John Cran

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Richard Hosford

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